THE TRASH PANDA IS BACK! But this time, it's DIGITAL – he's declared a screenshot war against the blockchain and is screenshotting millions in NFTs to spite Big Crypto!
To stream this on other platforms like YouTube and Spotify, go to
distrokid.com/hyperfollow/moule/non-fungible-trash-for-the-non-fungible-trash-panda!
The third in the Trash Panda series, "Non-Fungible Trash for the Non-Fungible Trash Panda" is a fun social commentary about NFTs, their environmental impact, and the anti-NFT culture of mocking and screenshotting them. As revenge for stealing energy and contributing to climate change, the Trash Panda's trash-stealing regime now includes stealing what he considers "Non-Fungible TRASH" to rebuild his trash empire!
This track was quite fun to make, and is the closest thing I have to rock music! I consider it "drum and bass with rock characteristics".
Other facts about Non-Fungible Trash for the Non-Fungible Trash Panda:
- It has the longest title of all MOULE releases.
- It was created on May 14, 2021 during a huge interest in cryptocurrency, under the working title "HODL".
- The bass melody that starts at 2:18 comes from a now-deleted track called "Cash for the Cash Quenda", originally themed to be an Australian-themed parody of the Trash Panda series, named after quendas, an Australian bandicoot.
- The reason why the background is on fire is because it symbolises the intense carbon emissions caused from minting NFTs. It also symbolises my aging computer commonly overheating!
- It's my 147th track and 65th release, my first completed and released in 2022!
Let me know what you think on
twitter.com/MOULEOFFICIAL, or via "Contact MOULE" to the right of this page!
For more MOULE, visit
LINKTR.EE/MOULE. And don't forget – always support your friendly neighbourhood independent artists!
(DISCLAIMER: For the record, I have no intention of getting into NFTs. I am well aware about their environmental impact from proof-of-work algorithms, how the blockchain works and its security, and the risk of thieves minting others' work without their permission. Like I said, this track is just a fun social commentary about NFTs and the controversy around them. You will never see MOULE NFTs, and if you do, they were made without my permission!)
released January 22, 2022